Takahiro Matsumoto, in his exhibition titled "Not Human but Human," explores the existence of sculptures such as deities, saints, and mythical creatures, which are inherently linked to the presence of humanity. Taking a different perspective on the human species, he aims to reinforce the reasons for its existence in the world.
In this particular exhibition, Matsumoto continues to utilize human faces as a foundation for his artwork. However, he introduces slight deviations from human form, incorporating elements of non-human aesthetics. Engaging in the act of carving "human-like" figures on raw wood, he becomes conscious of the profound contrast between the insignificance of human beings and the overpowering force of nature. This introspective process leads him to contemplate whether his act of carving holds a transcendent power beyond conscious awareness, prompting him to search for self-discovery and explore the imagined origins of humanity through his art practice.