The understanding of space differs across cultures. In Western traditions, space is often perceived as immaterial or a negative form. In contrast, East Asian perspectives center on the concept of "the space in between" (間), which emphasizes the intervals and connections between objects and events rather than simply categorizing space as interior or exterior.
Through the lens of "the space in between," the concept of an orbit provides a fresh perspective on space. It moves beyond conventional relationships between physical forms, offering a first-person view of the surroundings and inviting a broader exploration of spatial experiences.
In this exhibition, artist use painting, light sculptures, and spatial installations to examine how East Asian ideas of space can extend between two-dimensional and three-dimensional forms. These works function as orbits, tracing the often-overlooked intervals between objects and prompting us to reconsider the hidden connections that define our experience of space.
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Hsieh Jung-Wei (b. 1991) was born in Taichung, Taiwan. He holds a master’s degree in Architecture from Shih Chien University and a bachelor’s degree in Fine Arts from Tunghai University. In 2023, he was selected for the Art Taipei Made in Taiwan – Young Artist Exhibition by the Ministry of Culture and received sponsorship from the Tianmei Art Foundation for the Taiwan Contemporary Artist Overseas Visit Program. His work has been recognized with the Excellent Work Award at the Kaohsiung Awards (2024) and the Tainan Young Artist Award (2022).
Hsieh’s art practice is inspired by the subtle, shadowed light of East Asian aesthetics and his belief in the value of physical labor. He reinterprets his culture’s traditional aesthetics through contemporary approaches, employing painting and spatial installations. His works include non-electric luminous pieces that replicate modern ambient lighting and pen-and-ink drawings, where he uses an everyday ballpoint pen as a tool, describing himself as a “farmer on paper,” laboring with water and ink to nurture his art. Rather than emphasizing the historical legacy of materials, Hsieh’s work reflects the evolving cultural spirit of the present moment.
