Li Cheng-Liang & Tsai Pou-Ching participate in “Signal Z”: Museum

 

The exhibition begins with the spectacles created by images. Through misreading in the wake of image experiences, the interpretations of and reactions to images reveal how our way of viewing has been influenced by the Internet that entices people into fast consumption of images. Furthermore, the exhibition also addresses experiences related to fluid qualities in contemporary society by looking into the construction or delineation of spatial scenes, which range from the private to the public ones and involve both the physical to the virtual—they might be shifting sites of desire, changing boundaries between the private and public spheres, compiling iterations of online information, alternating soundscapes in the virtual and real worlds, the body confined by the fictious cycle of time, the body that longs to be conditioned by information, the dissipation of all things substantial and the landscapes constituted by them, or the metabolic urban renewal resulting from reorganizing politico-economic strategies.