© COPYRIGHT YIRI ARTS 2014

17.06.17 - Tomoko Hasuwa 蓮輪友子|伊日藝術 YIRI ARTS@ Art Formosa福爾摩沙國際藝術博覽會2017

Art Formasa 福爾摩沙國際藝術博覽會2017 2017.6.30– 2017.7.2 台北松菸文化創意園區2.3號倉庫 展位 Room|C05

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Tomoko Hasuwa蓮輪友子|Yiri Arts Art @Formosa福爾摩沙國際藝術博覽會2017

展出藝術家 Artists|蓮輪友子 Tomoko Hasuwa
貴賓預展|2017/6/29 13:00 -21:30
公眾展期|2017/6/30~7/1 11:00-19:00
| 7/2 11:00-18:00
展位 Room|C05
展覽地點|台北松山文化創意園區2倉庫

「在一個廣闊浩大的綜合中,我們應該會同時夢見一棟有翅膀的家屋,在細若游絲的微風中嘎嘎作響,精煉著風的能量。」(加斯東˙巴舍拉,《空間詩學》。)
In a large and integrated space, we should, at the same time, dream of a house with wings, creaking in a weak and imperceptible wind, refining its force. -Gaston Bachelard, The Poetics of Space (La Poetique de l’espace)

日本藝術家蓮輪友子將自己的熱烈投注於跨國界的行旅中,擁抱著壯遊的開闊性格,輕盈地將感受收納進畫作裡。由一次摩洛哥的旅行而開展的平行系列,呈現對於平行世界體悟的詮釋。從觀察摩洛哥婦女傳統回教服飾的樣貌,使用頭巾、面紗來包覆女性身體的方式,將形象的邊界模糊後,看似如同日本女孩們穿戴帽T與口罩的模樣,相同的包覆原理,卻在不同的文化當中有著截然不同的意涵與實踐。
或許,我們太過於重視彼此之間的差異,甚至刻意拉大距離、強調衝突,直至平行而不再相互交集。即便平行是人們畫地自限的局勢,蓮輪透過圖像之間的共振,找回平行中的對應點,環環地緊扣住那些根植於我們內心的共同意識、那股足以與過去、與未來一同揚帆啟航的力量。

Japanese Artist Hasuwa Tomoko embraces international travel, which fits her outgoing personality and passion, absorbing experiences and transferring them onto canvas. A trip to Morocco sparked inspiration for the Parallel Series, portraying her interpretation and understanding of a parallel world. She noted how traditional Moroccan Muslim garb utilizing hijabs and purdah to veil women at a certain level resembled the masks and hoodies popular among Japanese girls. The same principle reflected a different meaning once seen in a different culture.

Perhaps we are overly focused on diferences, to the extent of exaggerating them and fomenting conflict, until we live in parallel paths with no intersection. Even if the parallel world is a self-created one, Hasuwa uses resonance between her works to creats links and points of references, connecting and interlinking a shared inner awareness, a force that combines the past, present, and future.

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